Emeline Piot belongs to this artists' family the asceticism of which would be situated rather in the process of
elaboration than in the shape. Baroque, polysemous, proliferating. The work seems moved by the horrorvacuii.
The ink colonizes sometimes the paper, sometimes the skull of an animal and in fact to rise from new legends,
from fantastic civilizations and from subtle entities. The artist is in the service of a mythology - not still ours,
not completely his - which happens finally only in the appearance of the line. Uchronique, timeless to the abolition of the
time which creates it, the work of Piot proceeds of no concept, it precedes them all..